post-hardcore


Best of 2011 – Bill’s Music Picks

 

The Best

Polar Bear Club – Clash Battle Guilt Pride (Bridge 9 Records)

Polar Bear Club’s Clash Battle Guilt Pride makes my list for one key reason – it has spent more time in my CD player this year (I’m estimating) than all other albums I’ve listened to combined. The band’s best to date walks a fine line between gruff aggression and catchy melody, with the band’s usual blend of post-hardcore and indie rock sensibilities, and it gets its all right from start to finish. That’s not to mention lyrics that engage throughout. It’s a culmination of everything the band has been working toward. It’s every reason I’ve loved listening to them for the past few years, only better, and it’s nothing short of my favorite album this year. (more…)

post-hardcore


Artist: Thrice

Album Title: Major/Minor

Record Label: Vagrant Records

Rating: ★★★★½

Review by: Eric Stuckart

I’ve always had a bit of a love/hate thing going on with Thrice. Initially they were one of those bands that I just loved to hate for no particular reason. I think a lot of it was that I was particularly slow to come to love a lot of the more melodic spectrum of the post-hardcore boom, and my metal allegiance was having a bit of a hard time coping with that. (more…)

post-hardcore


Artist: Silverstein

Album Title: Rescue

Record Label: Hopeless Records

Rating: ★★★★½

Review by: Eric Stuckart

I remember when Silverstein’s first full length, When Broken is Easily Fixed, first came out in 2003. Their aggressive, almost metal approach to screamo filled in the gap sadly created by the breakup of Grade the year prior, and it was pretty close to what I was looking for. Their style was a little safer — a touch more melodic punk and less hardcore — but vocalist Shane Told embodied the spirit of Grade singer Kyle Bishop in his impassioned screams, and that’s what made me initially fall in love with this band. Plus, for what it’s worth, it was a hell of a lot better than Bishop’s comeback band, the short-lived The Black Maria.

Unfortunately, my adoration for that band was relatively short-lived, as the band aimed for a more mainstream, poppy sound with their follow-up, Discovering the Waterfront, much to my chagrin. The songwriting was toned down, and the screaming was utilized less often, more or less only as punctuation rather than the balanced blend that they had on their first one. In retrospect, I was most likely starting to just lose interest in that style, but I still remember it not being as good of an album.

So with that being said, it comes to a bit of a surprise to see a band like Silverstein in the year 2011. Most of the screamo/post-hardcore bands from their era didn’t have nearly the amount of longevity, having all but packed it up and gone home in favor of either morphing into heavier or more melodic styles, or just breaking up completely. (more…)